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Olga Amelkina-Vera | Composer
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Olga Amelkina-Vera | Composer
About
Compositions
Solo Guitar
Guitar Duo
Guitar Trio/Quartet/Ensemble
Opera
Art Song
Guitar/Guitar Ensemble with Other Instruments or Voice
Choral
Chamber Music
Orchestral
Electroacoustic
Film Music
Commissioning
Press
News
Store
Contact
About
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Solo Guitar
Guitar Duo
Guitar Trio/Quartet/Ensemble
Opera
Art Song
Guitar/Guitar Ensemble with Other Instruments or Voice
Choral
Chamber Music
Orchestral
Electroacoustic
Film Music
Commissioning
Press
News
Store
Contact
Store All That Glitters (an opera buffa in one scene) (2015)
All That Glitters Cover.png Image 1 of
All That Glitters Cover.png
All That Glitters Cover.png

All That Glitters (an opera buffa in one scene) (2015)

$40.00

Prizewinner of 2017-2018 American Prize for opera/film/theater (student division)

All That Glitters is a complete micro-opera in one scene. It is a modern take on the Cinderella story, with an underlying moral of self-acceptance and positive body image. Ru Paul’s motto may be appropriate to quote here as the gist of the story: “If you can’t love yourself, how the hell are you gonna love somebody else?” The larger-than-life character of the Afro-Carribbean/Latin show-stealing drag queen Phanessa inspired all the Afro-Cuban, Calypso, Blues, Bossa Nova, and crooner numbers in this opera. A more traditional “classical” approach is used in the recitative dialogues and Neveah’s central aria “I Crush, I Squeeze, I Shrink, Deflate, and Wither.” This work is dedicated to the LGBTQ community and all those who feel that they don’t fit.

Duration: c. 14’

Characters:

  • Neveah--mezzo-soprano 

  • Phanessa, a Fairy Dragmother--baritone

  • Store Clerk--soprano

  • A shopper—silent

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Prizewinner of 2017-2018 American Prize for opera/film/theater (student division)

All That Glitters is a complete micro-opera in one scene. It is a modern take on the Cinderella story, with an underlying moral of self-acceptance and positive body image. Ru Paul’s motto may be appropriate to quote here as the gist of the story: “If you can’t love yourself, how the hell are you gonna love somebody else?” The larger-than-life character of the Afro-Carribbean/Latin show-stealing drag queen Phanessa inspired all the Afro-Cuban, Calypso, Blues, Bossa Nova, and crooner numbers in this opera. A more traditional “classical” approach is used in the recitative dialogues and Neveah’s central aria “I Crush, I Squeeze, I Shrink, Deflate, and Wither.” This work is dedicated to the LGBTQ community and all those who feel that they don’t fit.

Duration: c. 14’

Characters:

  • Neveah--mezzo-soprano 

  • Phanessa, a Fairy Dragmother--baritone

  • Store Clerk--soprano

  • A shopper—silent

Prizewinner of 2017-2018 American Prize for opera/film/theater (student division)

All That Glitters is a complete micro-opera in one scene. It is a modern take on the Cinderella story, with an underlying moral of self-acceptance and positive body image. Ru Paul’s motto may be appropriate to quote here as the gist of the story: “If you can’t love yourself, how the hell are you gonna love somebody else?” The larger-than-life character of the Afro-Carribbean/Latin show-stealing drag queen Phanessa inspired all the Afro-Cuban, Calypso, Blues, Bossa Nova, and crooner numbers in this opera. A more traditional “classical” approach is used in the recitative dialogues and Neveah’s central aria “I Crush, I Squeeze, I Shrink, Deflate, and Wither.” This work is dedicated to the LGBTQ community and all those who feel that they don’t fit.

Duration: c. 14’

Characters:

  • Neveah--mezzo-soprano 

  • Phanessa, a Fairy Dragmother--baritone

  • Store Clerk--soprano

  • A shopper—silent

Instrumentation:

  • Piano; electronic keyboard set to a “vibes” patch or some other “smooth jazz” sound (one player)

  • Percussion (one player): drum set, marimba, vibraphone, bell tree, mark tree

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